Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for that unrest? Katniss. And what's worse, President Snow has caused it to be clear that no-one else is protected either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one in the most brought up books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended being a trilogy. Did it actually end the means by which you planned it from the beginning?

A: Very much so. While I didn't know every detail, of course, the arc of the story from gladiator game, to revolution, to war, for the eventual outcome remained constant throughout the writing process.

Q: We understand you worked on the initial screenplay for a film to get depending on The Hunger Games. What will be the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. When you're adapting a novel in a two-hour movie you can not take everything with you. The story has to get condensed to fit the brand new form. Then there's the question of methods best to take a novel told in the first person and present tense and transform it right into a satisfying dramatic experience. In the novel, you don't ever leave Katniss for a second and are privy to any or all of her thoughts so you'll need a strategy to dramatize her inner world and to produce it easy for other characters to exist beyond her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A large amount of situations are acceptable over a page that couldn't survive over a screen. But exactly how certain moments are depicted will ultimately be within the director's hands.

Q: Are you capable to consider future projects while working on The Hunger Games, or are you immersed in the world you are currently creating so fully who's is too challenging to consider new ideas?

A: We have several seeds of ideas going swimming inside my head but--given that much of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges i can commence to develop it.

Q: The Hunger Games is once a year televised event where one boy then one girl from each with the twelve districts is made to participate in a very fight-to-the-death on live TV. Exactly what do you think the appeal of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an desire for seeing who wins. The contestants are often unknown, which makes them relatable. Sometimes they've very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I have found very disturbing. There's also the potential for desensitizing the audience, so that when they see real tragedy playing out on, say, the news, it doesn't have the impact it should.

Q: If you were expected to compete inside Hunger Games, what do you think your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope can be to get hold of the rapier if there were one available. But reality is I'd probably get in relation to a four in Training.

Q: What can you hope readers can come away with once they read The Hunger Games trilogy?

A: Questions about how elements with the books might be relevant of their own lives. And, if they're disturbing, what they might do about them.

Q: What were some of your favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord in the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it can be for world control. While it is a clever twist on the original plot, it indicates that there exists less focus about the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by displaying despair both at those she feels in charge of killing and possibly at her very own motives and choices. This is an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn from the rebels and also the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very well evidenced in the voice, which goes from rage to puzzlement for an unsure go back to sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of each one with the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.




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